Miss Amelia Evans
18. Mai 2011I am hunting for Miss Amelia Evans.” Miss Amelia pushed back her hair from her forehead and raised her chin. “How come?” “Because I am kin to her,” the hunchback said. The twins and Stumpy MacPhail looked up at Miss Amelia. “That’s me,” she said. “How do you mean ‘kin’?” “Because –” the hunchback began. He looked uneasy, almost as though he was about to cry. He rested the suitcase on the bottom step, but did not take his hand from the handle. “My mother was Fanny Jesup and she come from Cheehaw. She left Cheehaw some thirty years ago when she married her first husband. I remember hearing her tell how she had a half-sister named Martha. And back in Cheehaw today they tell me that was your mother.” Miss Amelia listened with her head turned slightly aside. She ate her Sunday dinners by herself; her place was never crowded with a flock of relatives, and she claimed kin with no one. She had had a great-aunt who owned the livery stable in Cheehaw, but that aunt was now dead. Aside from her there was only one double first cousin who lived in a town twenty miles away, but this cousin and Miss Amelia did not get on so well, and when they chanced to pass each other they spat on the side of the road. Other people had tried very hard, from time to time, to work out some kind of far-fetched connection with Miss Amelia, but with absolutely no success. The hunchback went into a long rigmarole, mentioning names and places that were unknown to the listeners on the porch and seemed to have nothing to do with the subject. “So Fanny and Martha Jesup were half-sisters. And I am the son of Fanny’s third husband. So that would make you and I –” He bent down and began to unfasten his suitcase. His hands were like dirty sparrow daws and they were trembling. The bag was full of all manner of junk — ragged clothes and odd rubbish that looked like parts out of a sewing machine, or something just as worthless. The hunchback scrambled among these belongings and brought out an old photograph. “This is a picture of my mother and her half-sister.” Miss Amelia did not speak. She was moving her jaw slowly from side to side, and you could tell from her face what she was thinking about. Stumpy MacPhail took the photograph and held it out toward the light. It was a picture of two pale, withered-up little children of about two and three years of age. The faces were tiny white blurs, and it might have been an old picture in anyone’s album. Stumpy MacPhail handed it back with no comment. “Where you come from?” he asked. The hunchback’s voice was uncertain. “I was traveling.” Still Miss Amelia did not speak. She just stood leaning against the side of the door, and looked down at the hunchback. Henry Macy winked nervously and rubbed his hands together. Then quietly he left the bottom step and disappeared. He is a good soul, and the hunchback’s situation had touched his heart. Therefore he did not want to wait and watch Miss Amelia chase this newcomer off her property and run him out of town. The hunchback stood with his bag open on the bottom step; he sniffled his nose, and his mouth quivered. Perhaps he began to feel his dismal predicament. Maybe he realized what a miserable thing it was to be a stranger in the town with a suitcase full of junk, and claiming kin with Miss Amelia. At any rate he sat down on the steps and suddenly began to cry. It was not a common thing to have an unknown hunchback walk to the store at midnight and then sit down and cry. Miss Amelia rubbed back her hair from her forehead and the men looked at each other uncomfortably. All around the town was very quiet. At last one of the twins said: “I’ll be damned if he ain’t a regular Morris Finestein.” Everyone nodded and agreed, for that is an expression having a certain special meaning. But the hunchback cried louder because he could not know what they were talking about. Morris Finestein was a person who had lived in the town years before. He was only a quick, skipping little Jew who cried if you called him Christ-killer, and ate light bread and canned salmon every day. A calamity had come over him and he had moved away to Society City. But since then if a man were prissy in any way, or if a man ever wept, he was known as a Morris Finestein. “Well, he is afflicted,” said Stumpy MacPhail. “There is some cause.” Miss Amelia crossed the porch with two slow, gangling strides. She went down the steps and stood looking thoughtfully at the stranger. Gingerly, with one long brown forefinger, she touched the hump on his back. The hunchback still wept, but he was quieter now. The night was silent and the moon still shone with a soft, dear light — it was getting colder. Then Miss Amelia did a rare thing; she pulled out a bottle from her hip pocket and after polishing off the top with the palm of her hand she handed it to the hunchback to drink. 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Yes,” said I, “I remember his merriment well. I really thought he would have fallen into convulsions.” “The material world,” continued Dupin, “abounds with very strict analogies to the immaterial; and thus some color of truth has been given to the rhetorical dogma, that metaphor, or simile, may be made to strengthen an argument, as well as to embellish a description. The principle of the vis inertiæ, for example, seems to be identical in physics and metaphysics. It is not more true in the former, that a large body is with more difficulty set in motion than a smaller one, and that its subsequent momentum is commensurate with this difficulty, than it is, in the latter, that intellects of the vaster capacity, while more forcible, more constant, and more eventful in their movements than those of inferior grade, are yet the less readily moved, and more embarrassed and full of hesitation in the first few steps of their progress. Again: have you ever noticed which of the street signs, over the shop doors, are the most attractive of attention?” “I have never given the matter a thought,” I said. “There is a game of puzzles,” he resumed, “which is played upon a map. One party playing requires another to find a given word - the name of town, river, state or empire - any word, in short, upon the motley and perplexed surface of the chart. A novice in the game generally seeks to embarrass his opponents by giving them the most minutely lettered names; but the adept selects such words as stretch, in large characters, from one end of the chart to the other. These, like the over largely lettered signs and placards of the street, escape observation by dint of being excessively obvious; and here the physical oversight is precisely analogous with the moral inapprehension by which the intellect suffers to pass unnoticed those considerations which are too obtrusively and too palpably self evident. But this is a point, it appears, somewhat above or beneath the understanding of the Prefect. He never once thought it probable, or possible, that the Minister had deposited the letter immediately beneath the nose of the whole world, by way of best preventing any portion of that world from perceiving it. “But the more I reflected upon the daring, dashing, and discriminating ingenuity of D ; upon the fact that the document must always have been at hand, if he intended to use it to good purpose; and upon the decisive evidence, obtained by the Prefect, that it was not hidden within the limits of that dignitary’s ordinary search - the more satisfied I became that, to conceal this letter, the Minister had resorted to the comprehensive and sagacious expedient of not attempting to conceal it at all. “Full of these ideas, I prepared myself with a pair of green spectacles, and called one fine morning, quite by accident, at the Ministerial hotel. I found D- at home, yawning, lounging, and dawdling, as usual, and pretending to be in the last extremity of ennui. He is, perhaps, the most really energetic human being now alive - but that is only when nobody sees him. “To be even with him, I complained of my weak eyes, and lamented the necessity of the spectacles, under cover of which I cautiously and thoroughly surveyed the whole apartment, while seemingly intent only upon the conversation of my host. “I paid especial attention to a large writing table near which he sat, and upon which lay confusedly, some miscellaneous letters and other papers, with one or two musical instruments and a few books. Here, however, after a long and very deliberate scrutiny, I saw nothing to excite particular suspicion. “At length my eyes, in going the circuit of the room, fell upon a trumpery fillagree card rack of pasteboard, that hung dangling by a dirty blue ribbon, from a little brass knob just beneath the middle of the mantel piece. In this rack, which had three or four compartments, were five or six visiting cards and a solitary letter. This last was much soiled and crumpled. It was torn nearly in two, across the middle - as if a design, in the first instance, to tear it entirely up as worthless, had been altered, or stayed, in the second. It had a large black seal, bearing the D- cipher very conspicuously, and was addressed, in a diminutive female hand, to D-, the minister, himself. It was thrust carelessly, and even, as it seemed, contemptuously, into one of the uppermost divisions of the rack. “No sooner had I glanced at this letter, than I concluded it to be that of which I was in search. To be sure, it was, to all appearance, radically different from the one of which the Prefect had read us so minute a description. Here the seal was large and black, with the D- cipher; there it was small and red, with the ducal arms of the S- family. Here, the address, to the Minister, diminutive and feminine; there the superscription, to a certain royal personage, was markedly bold and decided; the size alone formed a point of correspondence. But, then, the radicalness of these differences, which was excessive; the dirt; the soiled and torn condition of the paper, so inconsistent with the true methodical habits of D-, and so suggestive of a design to delude the beholder into an idea of the worthlessness of the document; these things, together with the hyper obtrusive situation of this document, full in the view of every visiter, and thus exactly in accordance with the conclusions to which I had previously arrived; these things, I say, were strongly corroborative of suspicion, in one who came with the intention to suspect. “I protracted my visit as long as possible, and, while I maintained a most animated discussion with the Minister upon a topic which I knew well had never failed to interest and excite him, I kept my attention really riveted upon the letter. In this examination, I committed to memory its external appearance and arrangement in the rack; and also fell, at length, upon a discovery which set at rest whatever trivial doubt I might have entertained. In scrutinizing the edges of the paper, I observed them to be more chafed than seemed necessary. They presented the broken appearance which is manifested when a stiff paper, having been once folded and pressed with a folder, is refolded in a reversed direction, in the same creases or edges which had formed the original fold. This discovery was sufficient. It was clear to me that the letter had been turned, as a glove, inside out, re directed, and re sealed. I bade the Minister good morning, and took my departure at once, leaving a gold snuff box upon the table. “The next morning I called for the snuff box, when we resumed, quite eagerly, the conversation of the preceding day. While thus engaged, however, a loud report, as if of a pistol, was heard immediately beneath the windows of the hotel, and was succeeded by a series of fearful screams, and the shoutings of a terrified mob. D- rushed to a casement, threw it open, and looked out. In the meantime, I stepped to the card rack took the letter, put it in my pocket, and replaced it by a fac simile, (so far as regards externals,) which I had carefully prepared at my lodgings - imitating the D- cipher, very readily, by means of a seal formed of bread. “The disturbance in the street had been occasioned by the frantic behavior of a man with a musket. He had fired it among a crowd of women and children. It proved, however, to have been without ball, and the fellow was suffered to go his way as a lunatic or a drunkard. When he had gone, D- came from the window, whither I had followed him immediately upon securing the object in view. Soon afterwards I bade him farewell. The pretended lunatic was a man in my own pay.” “But what purpose had you,” I asked, “in replacing the letter by a fac simile? Would it not have been better, at the first visit, to have seized it openly, and departed?” “D-,” replied Dupin, “is a desperate man, and a man of nerve. His hotel, too, is not without attendants devoted to his interests. Had I made the wild attempt you suggest, I might never have left the Ministerial presence alive. The good people of Paris might have heard of me no more. But I had an object apart from these considerations. You know my political prepossessions. In this matter, I act as a partisan of the lady concerned. For eighteen months the Minister has had her in his power. She has now him in hers - since, being unaware that the letter is not in his possession, he will proceed with his exactions as if it was. Thus will he inevitably commit himself, at once, to his political destruction. His downfall, too, will not be more precipitate than awkward. It is all very well to talk about the facilis descensus Averni; but in all kinds of climbing, as Catalani said of singing, it is far more easy to get up than to come down. In the present instance I have no sympathy - at least no pity - for him who descends. He is that monstrum horrendum, an unprincipled man of genius. I confess, however, that I should like very well to know the precise character of his thoughts, when, being defied by her whom the Prefect terms ‘a certain personage’ he is reduced to opening the letter which I left for him in the card rack.” “How? did you put any thing particular in it?”